The Wilma Theater presents the World Premiere of Language Rooms
by Yussef El Guindi
directed by Blanka Zizka
March 3 – April 4, 2010
The Wilma Theater continues its 2009 – 2010 season with the World Premiere production of Language Rooms, a black comedy that exposes the divided loyalties among today’s immigrants, discovering the rising cost of the American Dream. The play, from rising Arab-American playwright Yussef El Guindi, is directed by the Wilma’s co-Artistic Director Blanka Zizka.
A recipient of the Edgerton Foundation’s prestigious New American Play award, Language Rooms begins previews on March 3, opens on March 10 (press night), and closes on April 4, 2010. Tickets range from $36 to $65, and are available at the Wilma’s Box Office by calling (215) 546-7842, visiting www.wilmatheater.org, or coming to the theater, located at 265 South Broad Street in Philadelphia. Student tickets are available for as little as $10, depending on date and time, made possible through a grant from PNC Arts Alive.
Ahmed is a shining example of the American Dream, successfully landing a big-time position as a translator at a top-secret detainment facility. But things are not what they seem in this twisted workplace, as he soon finds himself dodging shifty video cameras and absurd interoffice mind games. Brilliantly shifting between comedy and political suspense with surprising twists along the way, Language Rooms is a riveting dark comedy about the abuses of patriotism and loyalty.
Director Blanka Zizka says, “What I like so much about the play is that it deals with the world we live in right now, without suffering from ideological or political agendas or predictability. Just the opposite: the play is fresh, inventive, darkly funny, and fiercely original. It explores the absurd reality that can ensue from pursuing a dream without noticing that the dream has lost its moral standing, leaving merely insistence on loyalty.”
Language Rooms tells an updated immigrant story, pinned down in the glare of an interrogator’s lamp and through the lens of the Arab-American experience. El Guindi’s script highlights the tension between first- and second-generation immigrants, as their personal desires get caught in the machinery of the outside world. As Egyptian-born playwright El Guindi says, “the price for a better life is always a little higher than you think it will be.”
As El Guindi tells Wilma Dramaturg Walter Bilderback, “The wonderful optimism of this country, the propulsion to keep going, to reinvent, that weightlessness, the acceptance that you can change your name, your history, kick your past to the curb as you gun for a new beginning, I think all those good things end up gutting you of a center, a wholeness. What becomes of your touchstones, your anchor, your story, after you leave so much behind? Who are you when you’re always in flux?”
The Wilma’s World Premiere of Language Rooms grows out of an intensive development process, which began with a reading on the Wilma stage a year ago, in addition to workshops at Vassar & New York Stage and Film’s Powerhouse Theater and at the Wilma this summer. The Wilma welcomes back Yussef El Guindi – who The Philadelphia Inquirer calls “laugh-out-loud funny” – for an extended residency during rehearsals.
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